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Vivian SpringfordAmerican, 1914-2003Expansionist, Color Burst (VSF246), 1976Signed: Springford / 1976 (verso)
Marked: Expansionist Series (verso)Acrylic on canvas49 3/8 x 50 inches,
Framed 51 1/4 x 52 inches -
Gary KomarinCake Stacked, Blue on Creme and White, 2022Signed: Komarin 22 along bottomMixed Media on paper bags50 1/2 x 47 1/4 inches
Framed: 57 x 54 inches -
Jane PiperAmerican 1916-1991Still Life, 1971Signed: Jane Piper estate stamp (verso)Oil on canvas38 x 40 inches
framed: 45 1/4 x 47 1/4 inches -
Sally Michel AveryAmerican 1902-2003Deserted Beach, 1975Signed: Sally Michel 75 lower right, also Sally Michel (Verso),
Marked: “Deserted Beach” / 1975 (verso)Oil on canvas board24 x 36 inches,
Framed: 28 1/2 x 40 1/2 inches -
Karel AppelDutch, 1922-2006Figure CompositionSigned lower right: Appel,Marked: Til Jette Lanbberg / fra mar og far. (verso on stretcher)Acrylic on canvas25 3/4 x 32 1/4 inches,
Framed: 33 3/4 x 40 1/4 inches -
Jasmina Danowskiborn 1960Close of a Stormy Day, 2009Signed: Jasmine Danowski (verso)
Marked: Close of a stormy day / 48" x 84", 2009 / Gesso, Ink on Paper (verso)Ink and gesso on paper48 x 84 inches,
Framed: 51 x 86 1/4
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John ZinsserAmerican, b. 1961Persephone, 2015Signed and titled, versoEnamel and oil on canvas80 x 72 inches
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Vivian SpringfordAmerican, 1914-2003Burst, Mauves (VSF 116), 1970Signed: Springford / 1970 (verso)Acrylic on canvas37 x 50 inches,
Framed: 39 x 52 inches -
Sarah GillespieBritish, b. 1963Sunyata, 2004Signed: Gillespie lower right and Sarah Gillespie on stretcher, verso,Oil on canvas42 x 64 inches,
Framed: 45 1/2 x 67 1/2 inches -
Robert KellyAmerican, b. 1956Orillas II (Suite 2013), 2013Signed © R Kelly (verso) © R Kelly (verso on stretcher),Marked: Orillas / II / (Suite 2013) / 2013 (verso)Oil and mixed media on linen26 x 21 1/2 inchesFramed: 34.5 x 30 inches
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Jane PiperAmerican 1916-1991Floral Abstraction, 1967Signed: Jane Piper lower right / Jane Piper Estate (verso)
Marked: Estate stamp (verso)Oil on canvas28 x 36 Inches,
Framed: 30 3/4 x 38 3/4 inches -
Robert KellyAmerican, b. 1956Orillas VII (Suite 2011), 2011versoo/mm/panel22 x 17 inches,
Framed: 28 3/4 x 23 3/4 inches -
Paul Howard ManshipAmerican 1885-1966Actaeon, 1924Signed: Paul Manship / © 1924 (on the base)
Marked: C. Valsuani. Fondeur (along the base)Bronze with partial gilding on original marble base29 x 30 1/2 x 8 inches
Base: 1 1/2 x 18 1/4 x 11 1/4 -
Boris Lovet-LorskiAmerican, 1893- 1973Cretan Dancer, 1930Signed: BORIS.LOVET-LORSKY.1930 (top left front of self-base)Polished bronze on custom stepped wood base24 1/2 x 33 3/4 x 4 1/2 inchesBase:1 1/4 x 39 x 10 inches
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Carl HoltyAmerican, 1900-1973Twelfth Night, Blue, 1962Signed: Holty (l.r.)Oil on canvas70 x 56 inches,
Framed: 72 1/4 x 58 1/4 inches -
Arthur OkamuraAmerican, 1932-2009Wave Of Ur, 1960Signed: Okamura ‘60 lower right,Marked: Feingarten on stretcher (verso)Oil on canvas52 x 42 inches,
Framed: 56 1/4 x 46 1/8 inches -
Robert KellyAmerican, b. 1956Orillas XXII (Suite 2007), 2007versoOil and mixed media on panel24 x 20 inches,
Framed: 30 3/4 x 26 3/4 inches -
Carl HoltyAmerican, 1900-1973North by Northwest, 1960Signed: Carl Holty (verso),Estate of ArtistOil on canvas66 x 50 inches,
67 3/4 x 51 3/4 inches
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Carl HoltyAmerican, 1900-1973The King’s Blue, c. 1958Signed: Holty (l.r.)Oil on canvas52 x 36 inches,
Framed: 55 1/2 x 39 3/4 inches -
Carl HoltyAmerican, 1900-1973Hard Edge Forms I, 1941Signed: Carl Holty 1941 lower rightGouache on paper10 1/2 x 7 5/8 inches,
Framed: 19 1/2 x 16 1/2 inches -
Carl HoltyAmerican, 1900-1973Collage III, 1958Signed: Holty 58 lower leftGouache collage paper12 x 9 inches,
Framed: 191/2 x 16 1/2 inches -
Jane PIperAmerican 1916-1991Poppies by a Park, 1971Signed: Jane Piper lower right and Jane Piper Estate stamp (verso)
Marked: Poppies by a Park 71 (verso on stretcher)Acrylic on canvas44 x 40 1/2 inches
Framed: 51 3/4 x 47 3/4 inches -
Carl HoltyAmerican, 1900-1973Color Theory #13, Light Blue, Heavy White, Circa 1955Signed: Holty lower centerOil on canvas mounted to Masonite8 3/4 x 7 1/7 inches
Framed: 20 x 17 inches -
Carl HoltyAmerican, 1900-1973Collage IV, 1958Signed: C Holty - 58 lower leftGouache collage paper12 1/4 x 9 inches,
Framed: 19 1/2 x 16 1/2 inches -
Carl HoltyAmerican, 1900-1973Color Theory, Green Square #469, 1955Signed: Holty estate signature stamp l.r.,Marked: 469 (verso) E. HoltyOil on canvas mounted on Masonite11 3/4 x 9 inches,
Framed: 20 x 17 inches -
Francis Luis MoraAmerican, 1874-1940Flamenco Dancer, Sevilla, 1909Signed: F. Louis Mora / Sevilla 1909 lower rightOil on board9 1/2 x 7 1/2 inches
Framed: 18 1/4 x 16 1/2 x 3 inches -
Francis Luis MoraAmerican, 1874-1940Playa con Llüats, 1909Signed: F. Luis Mora / 1909 lower rightOil on artist board7 1/2 x 9 1/4 inches
Framed: 15 3/4 x 17 3/4 x 2 1/2 inches -
Francis Luis MoraAmerican, 1874-1940The Opal Pool - Coast of CatalinaSigned: F. Louis Mora lower rightOil on artist board9 1/4 x 7 1/2 inches
Framed: 17 1/2 x 19 1/2 x 2 5/8 inches -
Carl HoltyAmerican, 1900-1973Color Theory #586 White, Blue, Green, Orange, Purple, 1972Signed: Holty lower centerOil on canvas mounted on Masonite12 x 9 inches,
Framed: 20 x 17 inches
Overview
John Zinsser, Persephone, 2015
This curated booth is a celebration of the diverse expressions that abstraction can take within the spectrum of a single color – blue. Known for its profound ability to evoke emotions and stir the soul, the color blue, in its myriad shades and hues, serves as a catalyst for introspection and contemplation. From ethereal cerulean to deep navy, the artworks in this booth evoke a sense of mystery, inviting viewers to delve into the nuances of their own emotions.