Framed: 56 x 52 inches
artist
Before 1900, Vuillard focused his works primarily on dusky interior scenes, portraits and set decorations. After 1900 he moved out of doors into the gardens and onto the beaches, allowing his palette to become brighter. Vuillard began to leave Symbolism behind and became known as the last Impressionist.
provenance
Dr. Jules C. Stein Collection, Los Angeles.
Doris Babette Jones Oppenheimer Stein Collection, Los Angeles (by descent from the above, 1981).
Gerald H. Oppenheimer Collection, Beverly Hills (by descent from the above, 1984).
Gail Feingarten Oppenheimer Collection, Beverly Hills (by descent from the above, 2021).
Thence by descent to the present.
literature
G. Newness (ed.), Country Life, London, July 2, 1948 (illustrated).
A. Salomon & G. Cogeval, Vuillard, The Inexhaustible Glance, Critical
Catalogue of Paintings and Pastels, vol. II, Paris, 2003, no. VIII-214 (illustrated p. 925).
Framed: 56 x 52 inches
provenance
Dr. Jules C. Stein Collection, Los Angeles.
Doris Babette Jones Oppenheimer Stein Collection, Los Angeles (by descent from the above, 1981).
Gerald H. Oppenheimer Collection, Beverly Hills (by descent from the above, 1984).
Gail Feingarten Oppenheimer Collection, Beverly Hills (by descent from the above, 2021).
Thence by descent to the present.
literature
G. Newness (ed.), Country Life, London, July 2, 1948 (illustrated).
A. Salomon & G. Cogeval, Vuillard, The Inexhaustible Glance, Critical
Catalogue of Paintings and Pastels, vol. II, Paris, 2003, no. VIII-214 (illustrated p. 925).
