Poncet is an abstract sculptor in the tradition of Jean Arp and Constantin Brancusi. Many of Poncet’s forms are derived from nature and are pared down to display the beauty or voluptuousness of a form or the essence of a movement. His sculpture shows distinct similarities to the work of Jean Arp, with whom Poncet worked closely from 1953-1955.
Poncet believes that movement is essential in good sculpture, and he strives for a breathless balance in his work, so that as you look at it, you feel that with a gentle push, the piece would fall. As Poncet explained:
The movement is essential in my quest. Everything is moving in nature, in life. We must go all the way, trying to search the balance. Maintaining this balance is essential for the sculpture…
Capsienne is one of Poncet’s more interesting works in terms of the exploration of the convex and concave. He deftly moves the form in the piece out and around in many different directions and then gives it the air of the circular space in the middle. He was endlessly fascinated with form and his different approaches to it. There is also a diagonal tilt to the piece that is intentional and takes it to the next level of “amusing the eye”. This angling calls attention to the title of this piece, Capsienne: pertaining to the Paleolithic culture of northern Africa and southern Europe. These hunter-gatherers developed sophisticated stone tool technologies, including the use of blades, scrapers, and points – all reflected here in this piece.
Poncet’s creative process is meticulous and exploratory. He begins with extensive sketching and modeling, often drawing inspiration from his observations of nature and human behavior. Once he has a clear vision, he employs a variety of techniques such as carving, casting, and welding to bring his sculptures to life. Each piece is crafted with precision and care, ensuring that it embodies the intended emotion and concept.