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Taylor Graham
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Works on paper

Final Study for Atalanta
Final Study for Atalanta
Final Study for Atalanta
Final Study for Atalanta
Final Study for Atalanta
Final Study for Atalanta
Final Study for Atalanta
Final Study for Atalanta
Final Study for Atalanta, 1975
Will Barnet
Watercolor, color pencil, and graphite on vellum
47 7/8 x 36 1/4 inches,
Framed: 56 1/2 x 46 1/2 inches
Signed: Will Barnet lower right
Will Barnet, Final Study for Atalanta, 1975
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54 
of 129
artist Description provenance

artist

Will Barnet once said: 

I like freshness, I don’t want to repeat myself, that is the one thing I avoid…I develop an idea and then I move on.

 

What is impressive about Will Barnet as an artist was his refusal to compromise and to go with the flow. He steadfastly has refused to imitate the trendsetting movements of the moment and instead has chosen to chart his own course. What is most impressive, however, is that Barnet has survived and perhaps flourished in spite of and most likely because of his resoluteness. He has had over 80 solo exhibitions. His works are represented in such notable museums as the Guggenheim, Metropolitan Museum of Art, the Museum of Modern Art, and the National Gallery in Washington, D.C.

He has been quoted as saying:

I didn’t compromise, ever…The old masters are still alive after 400 years, and that’s what I want to be”

Will Barnet began his career painting self portraits much like Rembrandt in his parents’ basement in Beverly, Massachusetts, a bedroom community north of Boston. During the 1930’s and throughout the depths of the Great Depression his works took on a tone of social realism. During the 1950’s and 1960’s when Abstract Expressionism was all the rage, and the 1970’s when Pop Art was fashionable, Barnet’s works remained stubbornly figurative in their representation and portrayal in  both casual daily settings as well as in dreamlike ones. Barnet clearly saw what no one else did. Will Barnet has succeeded in charting a very independent route.

Description

This work is a study for Barnet's painting of the same name, given by the artist to a friend then sold at Sotheby’s NY, May 2014. Barnet also produced a same-titled lithograph with screenprint, 1975 (see Szoke 160). A similar composition of Barnet's daughter, Ona, leaning in front of a window was also used in the Silent Seasons series of paintings and lithographs (see Szoke 136-137, 143 and 153).

provenance

Harmon-Meek Gallery, Naples, Florida, label verso
Estate of the artist until 2023
Swann Auction Galleries NY September 2023

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