artist
Hiram Powers was born in Woodstock, Vermont and grew up in Cincinnati where he worked as a boy in the shop of a watchmaker. Powers showed an inherent talent for mechanical work and at an early age was made supervisor of Watson's watch making and organ shops. He learned to model figures in wax and modeled the hands and heads for 12 animated figures to be used on an automatic organ built by Watson, thus almost inadvertently beginning his career as a sculptor. This display of talent immediately attracted the attention of Joseph Dorfeuille, owner of the Western Museum, an entrepreneur who needed someone with Hiram's talents to spice up the museum displays. Powers was soon hired away by Dorfeuille, who commissioned him to do an animation of Dante Alighieri's Divina Commedia, with devils and imps and monsters uttering "unearthly sounds, horrid groans, and terrible shrieks (sic)".
One of Powers' delights after the show opened to the public was to dress as the Devil and slink along amongst the dimly lit figures of the display, inquiring in a sepulchral voice, "Do you think you smell sulphur?" The very popular show gained a bit of respectability through its policy of admitting clergymen without charge, and a lot of notoriety: several of these clergymen were later found at different times lurking in the dark corners of the display room. These worthies, dressed in their black ministerial cloth, would creep out of their dusky hideaways during the show and attempt to lead the "ignorant and terrified" to the "safety" of the church. One can imagine that the result was either instant salvation or instant heart stoppage.
Hiram later studied under Frederick Eckstein, the son of a very talented French sculptor who had immigrated to Cincinnati from Philadelphia. Eckstein taught him to model in wax, clay, and plaster. Hiram's older brother, Benjamin, who was the editor of the local newspaper, tutored him in reading and writing during these years-and made sure he updated his social skills as well. Cincinnati, even then known as the "Queen City" and one of the largest inland ports, was quite a town, considering its relative youth-the area was settled in 1788, and the city was incorporated in 1819-and its relative isolation.
Among the people with whom Powers consorted were such luminaries as John James Audubon, the Marquis de Lafayette, General William Harrison (later the ninth president of "Tippecanoe and Tyler Too" fame), Nicholas Longworth (soon to be the second-richest man in the country), Mrs. Frances Trollope (before she wrote her acerbic discussion of American manners), and Harriet Beecher Stowe. At the age of 27, Hiram felt he was making a good enough living to marry Elizabeth Gibson, the daughter of a boarding housekeeper and a ne'er-do-well alcoholic father, which he did on the first of May, 1832.
About this time, Hiram met Robert Lytle, an Ohio congressman, who took him under his wing. Another friend was the budding lawyer and perennial presidential candidate, Salmon Portland Chase, who, when he later became Secretary of the Treasury, saw to it that Powers was paid in gold for his commissions, rather than in the relatively worthless scrip usually used for government debts during the Civil War.
Powers did busts of Stonewall Jackson, John C. Calhoun, John Marshall, and Martin Van Buren, and traveled to Boston to model busts of Daniel Webster, John Quincy Adams, and Thomas Winthrop. A patron named John Stevens Preston offered to finance a move to Europe, where Hiram could further his career as a sculptor. Hiram returned to Cincinnati from Boston via New York and Woodstock, the last time he was to visit his birthplace, and collected his family for the move to Florence, Italy, where he was to live and work for the rest of his life.
Hiram Powers quickly became a prominent member of the small American colony in Florence, and his studio was soon a stopping point for the great and near-great of Europe, and wealthy and well-known Americans who were "doing the Continent." Many of his visitors sat for a bust. Some of the great and near-great for whom he executed busts were: Joseph Bonaparte (Napoleon's oldest brother), Mary Ray, an American who became the Comtesse de Courval (and guardian of Jeanne d'Arc's suit of armor), Henry Wadsworth
Description
Here we glimpse a compelling and endearing portrait of a young man, gazing to the right as if signaling this progeny’s splendid future that awaits. Powers has chosen to portray the young William Austin Wadsworth aged 15 in a military vest. The Wadsworth Family enjoyed a history of esteemed and decorated service in the Revolutionary War as well as in the War of 1812 so the choice of portraying the young heir in military garb was a natural. Classically executed, the marble portrait is Powers at his best. Originally commissioned by his father William Wolcott Wadsworth (1810-1852), no one at the time could have foreseen the father’s untimely death in 1852, a mere eight years after inheriting the family seat in 1844 and six short years after marrying Emmeline Austin, described as a lady of means.
America’s most famous Neo-Classical American sculptor, Hiram Powers was celebrated
for his figures from mythology in marble. The success of his realistic bust of Andrew Jackson in 1835 brought Powers numerous commissions from such well-known figures as John Quincy Adams, Daniel Webster, John Marshall, John Calhoun and in our example William Austin Wadsworth. His father, William Wolcott Wadsworth, was a descendent of the largest and wealthiest landowners in the pioneering community of the Genesee Valley in Western New York State. William Wolcott Wadsworth would not live to see the bust he commissioned of his young son. The bust can be dated to 1862 by means of a letter that the widow Emmeline Austin Wadsworth sent to Powers in which she asked that the marble replica of her son be completed as quickly as possible.
provenance
Historic Wadsworth Family, Geneseo, New York
Cottone Auctions, 2013
Private collection, Greenwich, CT
