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Painting

Fishing Boats, Stonington Harbor, Maine
Fishing Boats, Stonington Harbor, Maine
Fishing Boats, Stonington Harbor, Maine
Fishing Boats, Stonington Harbor, Maine
Fishing Boats, Stonington Harbor, Maine
Fishing Boats, Stonington Harbor, Maine
Fishing Boats, Stonington Harbor, Maine
Fishing Boats, Stonington Harbor, Maine
Fishing Boats, Stonington Harbor, Maine
Fishing Boats, Stonington Harbor, Maine
Fishing Boats, Stonington Harbor, Maine, 1920
John Marin
Watercolor and pencil on paper
14 1/4 x 16 1/2 inches
Framed: 26 1/2 x 24 1/4
Signed: Marin 20 lower right
John Marin, Fishing Boats, Stonington Harbor, Maine, 1920
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78 
of 760
artist Description provenance literature

artist

John Marin was an American modernist painter and printmaker, known for his expressive landscapes and innovative use of watercolors. Drawing inspiration from both the urban energy of New York City and the natural beauty of the Maine coastline, Marin's work bridges the traditions of American Impressionism and the emerging modernist movement. His bold, dynamic compositions, often characterized by sweeping brushstrokes and a heightened sense of movement, earned him recognition as one of the leading figures in early 20th-century American art. Marin’s work was influential in the development of modern American watercolor painting, and he was closely associated with a group of artists and photographers gathered around the influential photographer Alfred Stieglitz.

Description

Using bold dark areas of blue and gray to show the sheer force of the water and rocky cliffs while utilizing soft, blurring paint around the edges to bring into play the horizon, John Marin, widely considered the most innovative practitioner of watercolor working in America in the early 20th century, displays the tension between representation and abstraction. Marin had an affinity for experimentation and was considered one of the first America artists to explore abstract painting. This dynamic work on paper sidles its way into the Cubist movement of the 1920’s with the emphasis on geometric illusions of water, sailboat and rocky cliffs. The flattened surface creates an obscuring of depth with the ability to show different viewpoints at the same time.

provenance

Richard York Gallery, New York

Robert Henry Adams Fine Art, Chicago

Tom Veilleux Gallery, Portland, Maine

Private collection, acquired from the above

Sotheby's NY, March 2024

literature

Reich, Sheldon: John Marin: A Stylistic Analysis and Catalogue Raisonné, vol. II, Tucson 1970, no. 20.23, p. 480

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