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Painting

Beach at Veules-Les-Roses
Beach at Veules-Les-Roses
Beach at Veules-Les-Roses
Beach at Veules-Les-Roses
Beach at Veules-Les-Roses
Beach at Veules-Les-Roses
Beach at Veules-Les-Roses
Beach at Veules-Les-Roses
Beach at Veules-Les-Roses, 1905
Theodore Earl Butler
Oil on canvas
19 1/4 x 28 3/4 inches
Framed: 27 1/2 x 36 1/4 inches
Signed: T.E. Butler 05 lower left
Theodore Earl Butler, Beach at Veules-Les-Roses, 1905
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702 
of 764
artist Description provenance exhibitions literature

artist

Theodore Earl Butler was an American painter associated with the Impressionist movement. Born in 1861 in Columbus, Ohio, Butler initially pursued a career in law before heeding his artistic calling and moving to Paris in 1888 to study painting at the Académie Julian. In Paris, he became closely associated with the circle of Impressionist painters, particularly Claude Monet, who would later become his father-in-law.

 

His early works were heavily influenced by the Impressionist style, characterized by loose brushwork, vibrant colors, and an emphasis on capturing the effects of light and atmosphere. He often painted scenes of everyday life, landscapes, and portraits, employing techniques such as plein air painting to capture the transient effects of natural light.

 

Butler's works continue to be appreciated for their luminous quality and intimate portrayal of everyday life. Theodore Earl Butler passed away in 1936, leaving behind a legacy as an important figure in the transatlantic exchange of Impressionist ideas and techniques.

Description

One of Butler's significant contributions to art history lies in his role as a bridge between American and French Impressionism. His close association with Monet and other French Impressionists facilitated the exchange of ideas and techniques between the two artistic communities. His most notable works include landscapes of Giverny, the French village where he lived alongside Monet, and those captured along the Northern coast of France, including our Beach at Veules-les-Roses, painted in 1905, a prolific period for canvases produced in both Giverny and the Normandy coast. Composed of three stacked triangles, Butler makes use of a continuous line drawing the eye back and forth up the canvas from the lower right to the cliffs in the far center, balancing the ground and sky which blends into the sea on a typically gray Normandy day. The focal point lies in the foreground, a bustling tableau of beachgoers and a solitary boat, woven together in a kaleidoscope of hues and motion. Butler's mastery of brushwork is evident in every stroke, applied with an exquisite blend of haste and precision, teasing out form and movement with subtle yet unmistakable finesse. The result is a canvas that breathes with life, capturing not just a moment, but the essence of a fleeting coastal landscape, immortalized in strokes of genius.

provenance

Maxwell Galleries Ltd., San Francisco

Private Collection

Butterfield & Butterfield, San Francisco and Los Angeles, 10 December 1997

Vance Jordan Fine Art Inc., New York

Sotheby's NY March 2024

exhibitions

San Francisco, Maxwell Galleries Ltd., Theodore Earl Butler (1860-1936): American Impressionist, June - July 1972, no. 595, pp. 32 and 74, illustrated in color

literature

Richard H. Love, Theodore Earl Butler: Emergence from Monet's Shadow, Chicago 1985, pp. 252-255 and 424, illustrated fig. 23-2

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