Taylor Graham

Antoine Poncet
Composition, circa 1990's
Carrara Marble
28 3/4 x 26 3/4 x 18
Signed: Poncet top of marble base
Domenick Capobianco
Black Center
Oil on canvas
55 x 68 1/4 inches
Not signed
Florence Knoll
White Sofa, 1954 / 2009
Upholstery, chrome-plated steel
31 × 90 1/2 × 33 inches
Knoll Studio Florence Knoll on inside of leg
Robert Kelly
Thicket Assemblage CXVI, 2019
Oil mixed media on linen
30 x 27 inches,
Framed: 38 1/2 x 35 inches
Signed: © R Kelly / 2019 (verso on canvas and again on stretcher)
François Aubrun
Untitled #490, 1982
Oil on linen
25 1/2 x 25 1/2 inches
verso
Joel Perlman
Gray Hanger, 2015
Bronze with silver nitrate patina
32 x 27 x 13 inches
Signed: JP15 at base
Paul Jenkins
Phenomena Encroaching Day, 1969
Oil on canvas
47 x 66 1/2 inches
Framed: 49 1/2 x 69 1/2 x 2 1/2 inches
Signed: Jenkins lower left and titled on verso overflap
Cleve Gray
Gesture: Yellow, Black, 1976
Mixed media on paper
30 x 22 inches,
Framed: 40 1/2 x 32 3/4 inches
Signed: Gray - ‘76 lower right
Jasmina Danowski
Be That As It May, 2024
Ink, vinyl, on paper
30 x 22 inches
Framed: 33 3/4 x 26 1/2
Signed: Jasmina Danowski with title and date (verso)
Joseph Goethe
Abstract Skull, circa 1955
Carved Burl
13 x 10 x 9 inches
James Hiroshi Suzuki
Green, Blue, Red, 1960
Oil on paper
24 1/4 x 18 1/2 inches,
Framed: 33 x 27 1/4 inches
Signed: Suzuki 60 lower left
Cornelis Van Polenburch
Diana and her Nymphs with Discovery of Callisto
Oil on panel
17 3/4 x 21 1/2 inches,
Framed: 25 3/4 x 29 1/2 inches
Signed: CP lower left
Formento & Formento
Lulu’s Seagulls, Verona
Archival pigment print
40 x 60 inches, Framed: 41.7 x 61.7 inches
Carl Holty
Color Theory #1036 Lavender, Green, Blue, Orange, White, c. 1950
Oil on canvas mounted on Masonite
12 x 9 inches,
Framed: 20 x 17 inches
Signed: Holty lower right
Eleanor Parke Custis
Nude in sand
Silver bromide emulsion on matte photo paper
Sight size: 5 3/4 x 9 inches,
Framed: 18 x 22 inches
Estate of the photographer
Kikuo Saito
Soldier's Moon, 1989
Oil on canvas
65 3/8 x 75 inches
Framed: 66 1/2 x 76 1/4 inches
Signed: Kikuo Saito (verso)
Marked: Soldier's Moon / 1989 (verso)
Carl Holty
Color Theory, Yellow Square #6, c. 1955
Oil on canvas mounted on Masonite
12 x 9 inches,
Framed: 20 x 17 inches
Signed: Holty Estate signature stamp lower right, Marked: #6 (verso), Estate of Carl Holty stamp, verso
Martha Walter
Passageway, North Africa, circa 1930
Watercolor on paper
7 1/4 x 5 1/4 inches,
Framed: 11 1/2 x 9 1/2 inches
Signed: Martha Walter lower left
Carl Holty
Untitled #4, 1971
Oil on canvas
66 x 55 inches Framed: 68 x 57 inches
Signed lower left: Holty
Jared Young Chong
Valley Moon, 1976
Rice paper, dye and acrylic collage on board
35 3/4 x 47 3/4 inches,
Framed: 37 1/2 x 49 3/4 inches
Signed: Jerry Chong / '76 lower right
Gary Komarin
Cake Stacked, Blue on Creme and White, 2022
Mixed Media on paper bags
50 1/2 x 47 1/4 inches
Framed: 57 x 54 inches
Signed: Komarin 22 along bottom
Caio Fonseca
Pietrasanta P09.32
Gouache on paper
23 x 30 inches,
Framed: 26 3/4 x 34 1/4 inches
Signed lower left middle: CAIO
Signed on verso: CAIO FONSECA/P09.32/Gouache on paper
Gene Davis
Flamingo 1, 1970
Acrylic on canvas
74 x 106 inches
Marked: #1 (verso)
François Aubrun
Untitled #61, 1970
Oil on canvas
51 x 51 inches
Framed: 53 x 52 3/4 inches
verso
Gene Davis
Flamingo 4, 1970
Acrylic on canvas
74 x 106 inches
Marked: #4 (verso)
André Derain
Design for Décor, circa 1947
Gouache on paper
19 x 25 inches,
Framed: 28 3/8 x 34 3/4 inches
Signed: Stamped Atelier Andre Derain lower right
Louis Legrand
Femme à la Collerette
Pastel on paper
25 1/4 x 17 3/4 inches,
Framed: 29 x 25 3/8 inches
Signed upper right: Louis Legrand
Albert-Ernest Carrier-Belleuse
Abduction of Hippodamie, c. 1871
Bronze with a dark brown patination
25 ½ x 21 ½ x 14 inches
Mounted on a marble base measuring 3 ½ x 20 ½ x 11 ½ inches
Signed on base: Carrier Belleuse Inscribed BRONZE twice and MADE IN FRANCE Inset with pastille
Eleanor Parke Custis
The Wanderbird & the Yankee, 1935
Silver bromide emulsion on matte photo paper
16 3/4 x 13 3/4 inches Framed: 25 1/4 x 21 1/4 inches
Estate of the photographer
Rufino Tamayo
Dos Cabezas, 1962
Pastel and graphite on paper
15 3/8 x 29 3/4 inches
Framed: 27 x 41 1/2 inches
Signed: Tamayo / 62 lower right
Pierre-Eugène Montézin
La Pergola Fleurie
Oil on canvas
14 x 17 7/8 inches,
Framed: 25 1/2 x 29 3/8 inches
Signed: Montezin (l.r.)
Ferdinand du Puigaudeau
Vagues dans la Nuit
Oil on canvas
23 3/4 x 28 3/4 inches,
Framed: 33 1/4 x 38 1/4 inches
Signed: F du Puigaudeau lower right
Albert Wein
Capri, 1949
Watercolor
9 x 12 inches
Framed: 17 3/4 x 20 1/2 inches
Signed: CAPRI - 49 WEIN lower right
Carl Holty
Color Theory, Red Square #10, c. 1955
Oil on canvas mounted on Masonite
11 5/8 x 8 7/8 inches,
Framed 20 x 17 inches
Signed: Holty estate signature stamp l.r., Marked: #10 (verso), Estate of Carl Holty stamp, verso
Carl Holty
Twelfth Night (Red), 1962
Oil on canvas
70 x 56 inches,
Framed: 72 x 58 inches
Signed: Holty lower right and opn verso stretcher
Marked: Graham Gallery exhibition label (verso)
Erastus Dow Palmer
Bust of Elizabeth S. Plumb, 1851
White marble
23 ¾ x 15 ¾ x 9 ¾ inches
Signed under bust: E.D. Palmer. SC./1851, Inscription: Elizabeth Street Plumb 1826-1868
Albert Wein
Fastball, 1977
Bronze on original marble base
19 1/8 in x 18 3/4 in x 6 inches,
Base: 3 x 18 x 6 inches
Wein 2/13 (proper right heel), Edition 2 of 13
Maureen Chatfield
Meringue, circa 2022-25
Mixed media on canvas
24 x 30 inches
Framed: 26 1/2 x 32 1/2 inches
Signed: M Chatfield lower right and again verso
Robert Cook
Rushing, 2010
Bronze on artist made stone base
17 x 20 3/8 x 2 1/2 inches
Base: 3/4 x 15 3/4 x 4 inches
Total height: 17 3/4
Signed: R Cook (edge of slef-base), Marked: 2010 (edge of self-base) Rushing (edge of self-base)

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