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Donald R. PurdyCellist, circa 1960’sOil on masonite36 x 24 inches,
Framed: 46 x 34 inchesSigned: Purdy lower right
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Don TottenSpring, 1950'sOil on canvas24 1/2 x 22 inches,
Framed: 26 3/8 x 23 3/4 inchesSigned: D. Totten lower right
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Michael ForsterUntitled, 1988Acrylic on canvas35 7/8 x 45 1/4 inches,
Framed: 42 5/8 x 52 inchesmonogram and dated verso
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Mary McdonnellGold Stacks , 2019Oil on panel60 x 36 inchesSigned: Mary McDonnell / 2018-19 (verso)
Marked: "GOLD STACKS" (verso)
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Albert WeinMother’s Jewels, 1975Bronze on artist made green marble base15 x 8 1/4 x 5 1/2 inches
Base: 3 x 8 1/4 x 6 1/4 inchesSigned: Wein SC 1975 . © 87 2/12 TX [Tallix Foundry cypher] top of self-base
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Adja YunkersThe Second Dream of the Infanta Isabel, 1969Acrylic and collage on canvas63 x 47 1/2 inches,
Framed: 64 1/8 x 48 3/4 inchesSigned: Adja Yunkers (verso) and AY (verso), Marked: “The Second Dream / of the Infanta Isabel” / Acrylic - Collage / 1969 / 63 1/2 x 48” (verso)
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Aimé-Jules DalouLe Chasseur, c. 1898Bronze, dark brown patina25 1/8 x 12 1/4 x 11 inchesSigned: DALOU rear of self-base
Marked: Cire Perdue / A.A. Hebrard / (1)
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Bill BarrettUntitled, 2019Bronze11 1/2 x 12 3/4 x 6 3/4 inchesSigned: Bill Barrett 2019 on edge of one leg
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Carl HoltyUntitled #374, c. 1951Watercolor on paper9 x 12 inches,
Framed: 17 1/4 x 20 1/4 inchesUnsigned, Marked: Estate of Carl Holty Estate stamp verso
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Georges NoëlPur Palimpseste, 1961Powdered pigments, sand, and glue on canvas45 7/8 x 28 3/4 inches
Framed: 47 1/4 x 30 1/4 inchesSigned: Georges Noël 61 lower left and again on verso
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Carl HoltyRed, Gray, 1966Oil on canvas72 x 56 inches,
Framed: 74 1/4 x 58 1/4 inchesSigned: Holty lower left
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Jacques GermainComposition, 1989Oil on canvas36 x 29 inches,
Framed: 44 1/2 x 37 inchesSigned: J.G. 89 lower right
Marked: 30F JG 1989 TRKT [upside down] (verso on stretcher)
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François AubrunUntitled #831, 1966Oil on canvas30 x 30 inches,
Frames: 31 x 31 inchesSigned: Aubrun lower right
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Elsie DriggsFalcon's Flight, 1958Watercolor and collage on paper15 x 29 inches
Framed: 22 3/4 x 36 1/2 inchesSigned: 1958 / Driggs lower right
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Formento & FormentoMartina, Lost In AmericaArchival Pigment print20 x 30 inches, Framed: 21.7 x 31.7 inches
30 x 45 inches, Framed: 31.7 x 46.7 inches
40 x 60 inches, Framed: 41.7 x 61.7 inches
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Bessie Potter VonnohMother and Child, c. 1920Bronze10 1/8 x 4 x 3 3/4 inchesSigned: Bessie Potter Vonnoh (top of self base), Marked: No XXII top rear of self-base) Roman Bronze Works N-Y- (edge of self-base)
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Joseph MozierSpringtime, 1869White marble31 1/2 H inches 17 1/2 diameter inchesSigned and dated J, Mozier. Sc: Rome 1869
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Luigi LoirThe Evening’s GleaningsOil on panel11 1/4 x 16 inches,
19 3/4 x 24 1/2 inchesSigned: Loir Luigi lower right
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Ralph Della-VolpeHead to Sea, 2001Oil on board14 x 12 inches,
Framed: 17 x 15 inchesSigned: Della-Volpe lower left
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Léopold SurvageLa Maternité, 1942Casein on stepped panel construction26 x 22 1/2 inches,
Framed: 36 1/4 x 32 3/4 inchesSigned: Survage. / 10.2.42. lower right
Marked: Louis Maitre / 17/12/44 (verso)
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Charles Adrien Prosper d'ÉpinayLe CycloneWhite marble20 1/2 x 9 x 9 3/4 inches
Base: 9 inch diameterSigned: P. d’Epinay Inscribed: LE CYCLONE
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Carl SchmittSewingPastel on paper17 x 14 1/8 inches Framed: 28 x 24 inchesSigned lower left
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Pieter HugoMallam Galadima Ahmadu with Jamis, Nigeria, 2007Chromogenic print, flush-mounted on aluminum
This work is number three from an edition of five.60 x 60 inches
Framed: 70 1/4 x 70 1/4 inchesSigned, titled, dated and numbered '3 / 5' in ink on affixed artist's label; credited, titled, dated and numbered on affixed gallery label (frame backing board)
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Ludwig Mies van der RohePair of Barcelona Chairs with Otttomans, Designed 1929, this pair circa 1990sSteel and leather30 x 29 1/2 x 30 each chair
15 x 23 x 21 1/2 inches each ottomanMarked with: Knoll Studio, Mies van der Rohe signature to rear right leg.
Knoll tag to underside of seat, Knoll logo fabric on underside of seat.
Matching chair and two ottomans each unsigned
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Carl HoltyUntitled, 1963-4Oil on canvas76 x 60 inches,
Framed: 78 x 62 inchesSigned: Carl Holty Estate signature stamp lower right and verso lower right
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Formento & FormentoSon Subin & LuluArchival pigment print30 x 20 inches, Framed: 31.7 x 21.7 inches
45 x 30 inches, Framed: 46.7 x 31.7 inches
60 x 40 inches, Framed: 61.7 x 41.7 inchesJapan Diaries series
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Ralph Della-VolpeStorm over the Bay, 1956Oil on canvas21 x 21 inches,
Framed: 23 x 23 inchesSigned: Della-Volpe lower left
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Claude BentleySpring Festival, 1980Collage and mixed media on canvas40 x 40 Inches,
Framed: 40 3/4 x 40 3/4 InchesSigned Claude Bentley 80 lower right also Claude Bentley (verso),
Spring Festival 1980 (verso)
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Robert TournièresFather and SonOil on canvas52 3/4 x 39 5/8 inches
Framed: 64 1/2 x 52 x 4 inches
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François AubrunUntitled #874, 2002Oil on canvas18 x 23 7/8 inches,
Framed: 19 5/8 x 23 3/8Signed: verso
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Carl HoltyColor Theory #562 Purple, Red, Blue, White, 1955Oil on canvas mounted on Masonite12 x 8 inches,
Framed: 20 x 17 inchesSigned: Holty Estate signature stamp lower right, Marked: 562 (verso) Andrew Crispo Gallery label (verso), Estate of Carl Holty stamp, verso
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John von WichtThe Ninth, 1963Oil on canvas86 x 49 5/8 inches,
Framed: 88 x 52 1/4 inchesSigned: V. Wicht lower left
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Carl HoltyColor Study #222Watercolor on paperSight size: 6 1/2 x 5 1/2 inches,
Framed:14 1/2 x 13 1/3 inchesSigned: Holty lower left, Marked: 222 (verso)
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William RushSelf Portrait (The Pine Knot Portrait), Modeled 1822, cast 1971Bronze20 x 18 x 10 inches
23 inches high overallStamped Pennsylvania Academy of the Fine Arts, (copyright) Kennedy Galleries 5/15
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Vasa Velizar MihichFour Columns #2856, 1987Acrylic98 inches high each; 3 1/2 x 6 1/4 inches,
Base: 5 3/4 x 37 x 16 inchesSigned: #2856 Vasa © 1987 (rear base of one column)
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Jacob Ferdinand VoetPortrait of Marie-Charlotte de La Porte de La Meilleraye, Marquise de Richelieu as Diana, circa 1675-85Oil on canvas45 1 /2 x 34 3/4 inches (sight)
Framed: 57 3/4 x 47 x 3 inches
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Warren W. SheppardGrand Canal, VeniceOil on canvas18 x 30 inches,
Framed: 25 1/8 x 37 inchesSigned: Waren Shephard lower right
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Lee GatchThe BeastGraphite and charcoal on paper8 1/2 x 10 1/4 inches (sight)
Frame: 14 x 16 1/2 inchesSigned: Gatch / 54 lower right
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Albert WeinDemeter, 1947Bronze on marble base22 1/8 x 6 1/2 x 10 1/2 inches,
Base: 11 inches diameter x 3 1/8 inches highSigned: WEIN SC 47 © 87 (on slef base), Marked:1/12 TX [Tallix Foundry cipher] (on self base)
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