artist
Description
When looking at McDonnell’s Untitled ink on paper from 2009, it is essential to consider how her artwork reflects the influence of landscape while diverging from literal representation. The sensation of water occupies the surface of this gessoed wood panel. The broad stokes, flecked with paint seem to float with exuberance while suggesting both a landscape quality as well as the feeling of Japanese calligraphy. This technique aligns with a tradition of abstract expressionism where the artist's emotional and intellectual engagement with the work becomes paramount.
McDonnell’s approach to her work finds her in “conversation” with the piece she is working on. “For me,” she says, “it’s not one point of entry, but lots of back and forth before I decide on a painting’s orientation.” If she’s begun a painting but hasn’t found her way, McDonnell says, “We’re not talking together yet.”