Simka SimkhovitchChild, C. 1928Copper Etching with sepia ink on paper9 ½ x 6 1/8 inchesUnsigned
Simka SimkhovitchAbstract with Guitar, 1953Graphite and colored pencil on paper8 ¼ x 10 7/8 inches
Framed: 15 ¾ x 18 7/8 inches
Dated lower right: 1953
Simka SimkhovitchFloral Still Life, 1934Oil on canvas25 ¼ x 21 in.
Framed: 32 ¼ x 28 ¼ in.
Signed and dated lower right, 1934
Simka SimkhovitchYoung Girl with a Black Cat, 1929Oil on canvas28 ¼ x 23 1/8 inches
Framed: 35 ½ x 30 5/8 inches
Signed and dated bottom center, 1929
Simka SimkhovitchMarriage Bed, 1926Pastel and pencil on paper15 7/8 x 13 inches
Framed: 29 x 25 7/8
Signed: S. Simkhovitch, 1926
Simka SimkhovitchIllustration for Russian Book, 1925Pencil and mixed media on board16 x 13 ¼ inches
Framed: 21 3/8 x 19 ¼ inches
Signed and dated lower left, 1925
Simka SimkhovitchBoys with SailboatGouache and ink on paper22 x 27 ½ in.
Framed: 28 ¾ x 33 ¾
Simka SimkhovitchFigure StudyGouache on paperSight Size: 6 ½ x 5 inches
Framed: 19 ½ x 16 ½ inches
Simka SimkhovitchIllustrationMixed media on paper6 x 5 ½ inches
Framed: 16 x 15 inches
Simka SimkhovitchLate AfternoonEtchingFramed: 19 ½ x 13 ¾ inchesSigned lower right: S. Simkovitch
Simka SimkhovitchMother and ChildEtchingSight size: 8 ½ x 3 ¾ inches
Framed: 18 ½ x 14 ¾ inches
Signed, dated, and numbered lower center: Simka Simkhovitch 1928, 7/30
Simka SimkhovitchWoman with a FanOil on canvas30 x 22 ½ inches
Framed: 37 ¼ x 29 ¼ inches
Simkhovitch was born near the city of Kiev, Russia. When he was 7, he spent a year in bed with a severe case of measles. To amuse himself he used to sketch an old mill outside his window, and thus decided to become an artist. He studied at an art school in Odessa and was recommended to attend the Imperial Academy of St. Petersburg (a singular honor in Russia at the time) before the war and revolution. Swept up into the army before he could attend, his work was hung in the Museum of Revolution in Leningrad. He resumed his studies in 1914 and graduated four years later. He was sent to the United States in 1924 to do illustrations for Soviet textbooks. He quickly applied for and gained U.S. citizenship.
Simkhovitch integrated with the art world immediately and galleries such as Midtown Galleries and Marie Sterner took him on as part of their stable of artists. He also was employed by the WPA and executed major mural commissions throughout the country. One of his largest commissions was the Mississippi Court House. Life magazine profiled him twice with full-length features on his life here in this country as an artist. When he died at an early age, the Whitney Museum of Art in New York offered to do a retrospective and the widow denied the possibility and simply put his works away in storage.
Considered a master draftsman and an adherent of certain classicism, Simkhovitch’s compositions are often built up in a complicated but well-managed counterpoint. But at heart, he is a romanticist preferring the dreamy colors of a Russian fairy tale.