base: 43 x 11 3/4 x 11 3/4 inches
artist
Poncet is an abstract sculptor in the tradition of Jean Arp and Constantin Brancusi. Many of Poncet’s forms are derived from nature and are pared down to display the beauty or voluptuousness of a form or the essence of a movement. His sculpture shows distinct similarities to the work of Jean Arp, with whom Poncet worked closely from 1953-1955.
Poncet believes that movement is essential in good sculpture, and he strives for a breathless balance in his work, so that as you look at it, you feel that with a gentle push, the piece would fall. As Poncet explained:
The movement is essential in my quest. Everything is moving in nature, in life. We must go all the way, trying to search the balance. Maintaining this balance is essential for the sculpture…
Description
Vigueureuse was modeled at the mature date of 1991. Unlike some of his earlier work that have soft curves and an organic feel, this piece has an aerodynamic quality that suggests movement, strength and vigor yet with an elegance. Poncet’s form achieves a breathless sense of balance while simultaneously causing this solid object to appear weightless. The choice of the dark brown patina enhances the elegance and gravitas of the work. Poncet believed that movement is essential in formidable sculpture, and he aimed for balance in his work, so as it is viewed, one feels as if with a gentle push, the piece would topple.
The movement is essential in my quest. Everything is moving in nature, in life. We must go all the way, trying to search the balance. Maintaining this balance is essential for the sculpture…
- Antoine Poncet
Poncet’s creative process was meticulous and exploratory. He began with extensive sketching and modeling, often drawing inspiration from his observations of nature and human behavior. Once he had a clear vision, he employed a variety of techniques such as carving, casting, and welding to bring his sculptures to life. Each piece was crafted with precision and care, ensuring that it embodied the intended emotion and concept. It is possible that Poncet kept the 1st cast of any edition as this work was in his estate.