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John ZinsserAncestral Worship, 2015Enamel and oil on canvas48 x 36 inches
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John ZinsserMethod of Nature, 2014Oil and enamel on canvas80 x 72 inches
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John ZinsserVisible Things, 2014Oil and enamel on canvas18 x 18 inchesSigned: John Zinsser / 2014 (verso), marked: “Visible Things / enamel and oil (verso)
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John ZinsserMetropolitan Opera, 2016Oil and enamel on canvas18 x 18 inches
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John ZinsserPersephone, 2015Oil and enamel on canvas80 x 72 inches
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John ZinsserRum Diary, 2016Oil and enamel on canvas18 x 18 inches
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John ZinsserBack From Troy, 2015Oil and enamel on canvas18 x 18 inches
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John ZinsserSpectral Vision, 2016Oil and enamel on canvas20 x 20 inches
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John ZinsserBig Feeling, 2014Oil and enamel on canvas24 x 24 inchesSigned and dated on overlap verso
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John ZinsserLights on the Seine, 2015Oil and enamel on canvas30 x 30 inches
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John ZinsserSea, 2015Oil and enamel on canvas20 x 20 inches
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John ZinsserSky, 2015Oil and enamel on canvas52 x 56 inches
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John ZinsserTheodoros Stamos Biography, 2015Graphite on bristol14 x 17 inches
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John ZinsserFile Study: After Hiroshi Sugimoto—Twenty-Four Years, 2013Collage and oil paint on cardstock9 1/2 x 15 inches
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John ZinsserFile Study: After Joseph Beuys, 2013Collage and oil paint on cardstock9 1/2 x 15 inches
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John ZinsserFile Study: After Pierre Bismuth II, 2013Collage and oil paint on cardstock9 1/2 x 15 inches
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John ZinsserFile Study: Questions About Your Sex Life, 2013Collage and oil paint on cardstock9 1/2 x 15 inches
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John ZinsserAfter Andy Warhol, "Flowers," 1964 (Orange), 2011Colored pencil on paper17 x 14 inches
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John ZinsserAfter Andy Warhol, "Flowers," 1964 (Red), 2011Colored pencil on paper17 x 14 inches
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John ZinsserAfter Andy Warhol, "Flowers," 1964 (Yellow), 2011Colored pencil on paper17 x 14 inches
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John ZinsserAfter Frank Stella, "Ourway," 1960-61 (Blue), 2011Colored pencil on paper17 x 14 inches
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John ZinsserHysterical Phantasy, 2010Oil on canvas22 x 22 inches
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John ZinsserWish-Motives, 2010Oil and enamel on canvas48 x 48 inches
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John ZinsserParadise By Night, 2001Oil and enamel on canvas60 x 72 inchesSigned, titled, and dated verso
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John ZinsserHigh-Rise Sessions, 1999Oil on canvas40 x 36 inchesSigned, titled, and dated on overlap verso
Overview
Zinsser’s abstractions reflect a calculated process in which the artist has carefully and intentionally laid thick lines and swathes of paint to create gridded networks or clusters of paint and texture. An emphasis on the materiality of paint itself is enhanced by monochromatic compositions in a varied range of colors, from creamy white to metallic gold and fiery orange. Zinsser has been a devotee of postwar Abstract Expressionism and Minimalism for decades. His works reflect visions of the city from a very distinct angle. “I have always been attracted to colors as they exist in the world, rather than making imitative color,” Zinsser once explained. “All of these colors have associations to observed experience—a garage door, the wall of a warehouse, the side of a truck.”
American artist John Zinsser refers to his painting as a "wide open dialogue", with the multifaceted exhibition scene of New York City supplying the resources for this painting-oriented discourse. Thus, since the early 1980s, Zinsser has been building up a list of reference persons. His "circles of influences" include friends, colleagues of different generations as well as role models. With them, he carries on a form of discourse and counter discourse, and they motivate him to conduct painterly monologues, even challenging him to an antithesis when necessary.
The fundamental element that connects the works shown is their exploration of the pure materiality of paint and the essence of color. His paintings are derived from an intense process of brushworks in which Zinsser uses impasto oil technique with a thick- textured paint, that is almost three- dimensional in appearance. These paintings are striking and have a presence all their own.
John Zinsser has exhibited extensively in Europe and the United States since 1980. His paintings are in the Richard Brown Baker collection at Yale, the Sammlung Goetz in Munich, the Mint Museum In Charlotte and the Wadsworth Atheneum in Hartford.
Solo Exhibitions
2015Â Â Â Â Taylor | Graham, Re-Irascibles: Theodoros Stamos/John Zinsser, New York, NY
2014Â Â Â Â Peter Blake Gallery, Laguna Beach, CA; Philip Slein Gallery, St. Louis, MO;Â Graham Gallery, Paintings and File Studies, New York, NY
2013Â Â Â Â Kunstgaleriebonn, Germany (Reason and Belonging: John Zinsser and Related Painters) (cat.);Â George Lawson Gallery, San Francisco, CA
2012Â Â Â Â Philip Slein Gallery, St. Louis, MO; Kunstgaleriebonn, Bonn, Germany (cat.)
2011Â Â Â Â Larry Becker Contemporary Art, Philadelphia, PA (Abstract Memory: New and Earlier Paintings and New Auction Catalogue Drawings)
2010Â Â Â Â James Graham & Sons, New York, NY
2009Â Â Â Â James Graham & Sons, New York, NY (Art Dealer Archipelagoes)
2008Â Â Â Â James Graham & Sons, New York, NY (cat.)Â
2006Â Â Â Â Roger Ramsay Gallery, Chicago, IL
2005Â Â Â Â Galerie S65, Cologne, Germany
2003Â Â Â Â Von Lintel Gallery, New York, NY (Bible Studies);Â Galerie S65, Cologne, GermanyÂ
2002Â Â Â Â Von Lintel Gallery, New York, NY
2001Â Â Â Â Galerie S65, Aalst, Belgium
2000Â Â Â Â Von Lintel & Nusser, New York, NY
1998Â Â Â Â Galerie Thomas von Lintel, Munich, Germany;Â Roger Ramsay Gallery, Chicago, IL;Â Galerie S65, Aalst, Belgium (White Grid Variations)
1997Â Â Â Â Lawing Gallery, Houston, TX (The Pavilion Series);Â Pamela Auchincloss Project Space, NY (Architecture of Color Series)
1996Â Â Â Â Galerie Thomas von Lintel, Munich, Germany;Â Lawing Gallery, Houston, TX;Â Turner, Byrne & Runyon, Dallas, TX (Republic Tower Commission)
1995Â Â Â Â Galerie S65, Aalst, Belgium (cat.);Stark Gallery, New York, NY
1994Â Â Â Â Galerie Thomas von Lintel, Munich, GermanyÂ
1993Â Â Â Â Galerie S65, Aalst, Belgium;Thomas Solomonâs Garage, Los Angeles, CA;Â Elizabeth Koury Gallery, New York, NY;Â Turner & Byrne Gallery, Dallas, TXÂ
1992Â Â Â Â Elizabeth Koury Gallery, New York, NY;Â Roger Ramsay Gallery, Chicago, ILÂ
1991Â Â Â Â Julian Pretto Gallery, NY (Automatic Writing Series)
1990Â Â Â Â Thomas Solomonâs Garage, Los Angeles, CA;Â Julian Pretto Gallery, NY
1989Â Â Â Â Julian Pretto Gallery, NY
Public Collections
Mint Museum, Charlotte
Wadsworth Atheneum, Hartford
Richard Brown Baker Collection, Yale University Art Gallery, New Haven
Sammlung Goetz, Munich
Corporate Collections
Akin Gump
Progressive Companies
Pepsico
Pfizer
Brunswick
Commodities Corporation
Artpack, Zurich
Houston Industries
Winston & Strawn
Carmel Realty
Jones, Lang, Wooton
Billingsley Company
Newberger Lehman Brothers