Thomas DowningPosition 2-25-75, 1975Oil on canvas88 x 70 inchesSigned verso
Thomas DowningPosition 2-3-75, 1975Oil on canvas88 x 55 inchesSigned verso
Thomas DowningAmbilobe, 1972Acrylic on canvas90 x 150 inchesTitled and dated on overlap
Thomas DowningSaranac, 1971Oil on canvas29 x 30 inches
Framed: 39 ¾ x 40 ¾ inches
Thomas Downing was a member of the Washington Color School co-founded by Morris Louis and Kenneth Noland. Downing is best known for his paintings of multiple colored disks systematically arranged into rectangles or squares. It has been suggested that such rigid and minimalist grids of large colored dots were created to protest the painterly "action" paintings of the Abstract Expressionists. These works by Dowling carefully avoided any evidence of the actual act of painting or brushstrokes. They are pure, clean, and almost mathematically measured. There is a freshness and yet also a formality here even as Downing experimented with different sizes and shapes as well as with different contrasting colors to elicit an optical illusion. Downing's occupation with color and their particular choices implies a knowledge of works by Josef Albers as well as the influence of Kenneth Noland and Morris Louis. It is interesting to compare these works by Downing with the "spot paintings" of the contemporary artist Damien Hirst. This period of hard-edged abstraction is just now beginning to soar in interest amongst collectors.
Thomas Downing worked in Washington, D.C. during the Color Field Movement of the 1960s. Raised in Virginia, he studied at Pratt Institute in Brooklyn, New York and the Académie Julian in Paris before settling in Washington in 1953. He attended Catholic University where he studied with Kenneth Noland, who became a close friend. Later in the decade, he shared a studio with Howard Mehring, who also became a part of the group of Color Field painters.
In 1964 the iconic art critic Clement Greenberg included works by Thomas Downing, Howard Mehring, Kenneth Noland, Frank Stella, and Helen Frankenthaler, among others, in his influential show at the Los Angeles County Museum of Art entitled "Post Painterly Abstraction." The title of this show became a byword for the movement itself, a term that drew a distinction between Color Field painting and gestural abstraction. From 1965 until 1968 Downing taught at the Corcoran School of Art in Washington, D.C. During his time in the city Downing exhibited regularly. Downing died in Provincetown, Massachusetts in 1985. His work can be found in numerous public collections. There will be an exhibition of Thomas Downing's works in 2015 at American University in Washington, D.C.
Sculptors Studio, 1959 (solo)
Origo Gallery, Washington, D.C. 1960
Jefferson Place Gallery, Washington, D.C., 1961
Allan Stone Gallery, 1962, 1967, 1968
Stable Gallery, 1963
Clement Greenberg's Exhibition "Post-Painterly Abstraction", 1964
Gallery of Modern Art, Washington, D.C., 1965
Corcoran Gallery, Washington, D.C., 1966
Henri Gallery, Washington, D.C., 1967
A.M. Sachs Gallery, New York, 1968
La Jolla Museum of Art, 1968
Phoenix Art Museum, 1968
Pyramid Gallery, Washington, D.C. 1970, 1972, 1975
Tibor de Nagy, Houston, 1975
Osuna Gallery, Washington, DC, 1979, 1980
Salander O'Reilly Gallery, New York, 1982
Phillips Collection, Washington, D.C. 1985
Harm Bouckaert Gallery, New York, 1985
Addison/Ripley Gallery, Ltd., Washington, D.C., 1985, 1989, 1994, 2007
Pennsylvania Academy of Fine Arts
Whitney Museum of American Art, New York
Museums and Public Collections
Baltimore Museum of Art, Baltimore
Birmingham Museum of Art, Birmingham, Alabama
Board of Governors, Federal Reserve System, Washington, D.C.
Corcoran Gallery of Art, Washington, DC
Delaware Art Museum, Wilmington
Denver Art Museum, Denver
Dimock Gallery, George Washington University, Washington, D.C.
Federal Reserve Bank, Richmond, Virginia
George Washington University Collection, Washington, D.C.
Georgetown University Collection, Washington, D.C.
La Jolla Museum of Contemporary Art, La Jolla
Metropolitan Museum of Art Center, Inc., Coral Gables, Florida
Milwaukee Art Museum, Milwaukee
Mint Museum of Art, Charlotte, North Carolina
Museum of Fine Arts, Boston
Museum of Fine Arts, Houston
National Museum of American Art, Washington, DC
North Carolina Museum of Art, Raleigh
Norton Simon Museum, Pasadena, CA
Oklahoma Art Center, Oklahoma City
Philadelphia Museum of Art, Philadelphia
Phillips Collection, Washington, DC
Phoenix Art Museum, Phoenix
Provincetown Art Association and Museum, Provincetown, Massachusetts
San Francisco Museum of Modern Art, San Francisco
Smithsonian Museum of American Art, Washington, D.C.
Stanford University Museum and Art Gallery, Stanford, California
Sunrise Museums, Charleston, West Virginia
University Art Museum, Berkeley, California
University of the District of Columbia Collection, Washington, D.C.
University of Virginia Art Museum, Charlottesville
Virginia Museum of Fine Arts, Richmond
Wadsworth Atheneum, Hartford, Connecticut
Walker Art Center, Minneapolis
Whitney Museum of American Art, New York