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Norman BluhmFall, 1958Signed and dated lower right: bluhm 58Ink and watercolor on paper26 3/4 x 39 1/2 inches
Framed: 35 x 48 inchesLabels on verso from Washburn and Haunch of Venison -
Michael GoldbergUntitled, 1950Signed “M.Stuart” and dated versoOil on canvas19 1/8 x 27 inches
Framed: 27 3/8 x 35 1/2 inches -
Theodoros StamosInfinity Field Lefkada Series, Red, 1978, 1978Signed: Stamos 1978 (with title, verso)Acrylic on paper30 ¼ x 22 ¼ inches
Framed: 38 ¼ x 30 ¼ inches -
Natalia DumitrescoYellow and Green Composition, Circa 1950sSigned lower left: N. DumitrescoMixed media on paper17 x 12 inches
Framed: 27 1/4 x 23 inches -
Larry RiversSelf Portrait , c. 1961Stamped with name in stencil on frontOil on canvas30 x 30.125 inches
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Al HeldC Series #13, 1967Signed and dated 6/67 versoIndia ink on paper22 ½ x 35 inches
Framed: 35 ¼ x 48 inches
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Robert RichenburgMOMA Collage, 1960Torn and pasted paper on cardboard22 x 28 inches
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Conrad Marca-RelliUntitled 4484, Circa late 1950sSigned lower left: MARCA-RELLIFabric collage and ink on board9 x 9 inches
Framed: 18 x 18 inchesThis work is registered with the Archivio Marca-Relli, Parma, as archive number MR-6194 / © Archivio Marca-Relli, Parma -
Jean DubuffetPaysage, 1974Initialed J.D. and dated lower leftColored pencil & black ben on black paper18 x 12 3/4 inches
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Sidney Gordin7 20 58, 1958Signed underneath base: SG / 7 20 58Welded iron mounted on wood base28 1/4 H x 8 1/2 W x 4 1/8 D inches
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Jean Lambert-RuckiNativity, 1949Signed: J. LAMBERT-RUCKIPainted Granite20 3/4 H x 15 W inches
Overview
On view in our main gallery are selections from inventory and new acquisitions highlighting the various currents of painting and sculpture that emerged in New York immediately following the end of WWII. Included are a marvelous figurative canvas by Jack Tworkov, painted in 1949 at a time when he shared a studio with Willem De Kooning. Untitled, 1950 by Michael Goldberg showcases the artist’s bold, near calligraphic strokes bearing witness to the influence of both Willem de Kooning and Franz Kline. Robert Richenberg’s MOMA Collage, included in the Museum of Modern Art’s 1961 exhibition The Art of Collage, is a magnificent composition and stands as a stellar example of collage and assemblage of the period. Also included are a marvelous Self-Portrait by Larry Rivers painted in 1961, a welded composition from 1958 by Sidney Gordin, an intimate fabric collage by Conrad Marca-Relli, among others.