-
Carl HoltyBlue and Green, 1959Oil on canvas69 x 54 inches,
Framed: 71 1/2 x 56 1/2 inchesSigned: Carl Holty 1959 (verso)
-
Jay RosenblumUntitled, 1969Acrylic on canvas8 x 8 inchesSigned and dated on overlap verso
-
Lydia Field EmmetThe Grandchild, 1895Pastel on paper24 x 20 inches,
Framed: 29 1/2 x 25 1/2 inchesSigned: Lydia Field Emmet ‘95 upper right
-
Don TottenSan Simeon, 1960Oil on canvas58 1/2 x 72 inches
Framed: 60 3/4 x 74 x 2 3/4 inchesSigned lower right
-
Robert Arthur GoodnoughSoaring I , 1994Oil on canvas78 x 28 inches
Framed: 80 x 30 inchesSigned: Goodnough 94 lower right
-
Don TottenComposition Blue, 1960sOil on canvas48 x 25 1/2
framed; 49 3/4 x 27 1/4 x 2 3/8 inchesEstate stamped verso
-
Don TottenEo, 1960sOil on canvas72 x 67 1/2 inches
Framed: 73 3/4 x 69 1/2 inchesSigned: D Totten lower right
-
Cornelis Van PolenburchDiana and her Nymphs with Discovery of CallistoOil on panel17 3/4 x 21 1/2 inches,
Framed: 25 3/4 x 29 1/2 inchesSigned: CP lower left
-
Carl HoltyUntitled #181, c. 1951Watercolor on paper9 x 12 inches,
Framed: 17 1/4 x 20 1/4 inchesSigned: Estate of Carl Holty (Estate stamp verso)
-
Narcisse Diaz de la PenaSous-Bois á Fontainbleau, 1876Oil on panel16 1/4 x 12 5/8 inches,
Framed; 25 x 22 inchesSigned with cache of the 1876 Diaz sale lower right
-
Pierre WemaëreLes Couisines no. 2, 1998Acrylic and India ink on paper39 x 27 1/2 inches,
Framed: 46 1/2 x 35 inchesSigned: P Wemaere 98 lower right
-
Domenick CapobiancoCircles with Black Center36 x 36 inchesSigned: Studio Domenick / Capobianco (Estate stamp, verso)
-
Georges LemmenL'Eglise Sainte-Marie à Schaerbeek, 1908Oil on board laid down on panel21 5/8 x 26 x 2 1/4 inches
Framed: 30 x 34 3/4 inchesSigned: Artist's monogram, 1908 lower right
-
Don TottenAbstraction, 1950sOil on canvas24 1/8 x 30 inches
Framed: 26 1/8 x 31 7/8 inchesSigned: D.Totten lower right
-
John ZinsserFile Study: After Andy Warhol, 2014Collage and oil paint on card stock9 1/2 x 15 inches
Framed: 11 1/4 x 16 1/4 inchesSigned and titled, verso
-
Donald R. PurdyBeach Scene, 1988Oil on Masonite15 x 19 inches,
Framed: 21 x 24 inchesSigned: Purdy 88 lower left
-
Donald R. PurdyChildren in Field, 19789 x 7 3/4 inches,
Framed: 15 x 16 3/4 inchesSigned: Purdy 78 lower left
-
Archer DefteriosFrom Ruins: Blue Composition 82, 2025Acrylic on canvas22 x 32 inches
-
Will BarnetStudy for Old Man’s Afternoon, 1978Watercolor and pencil on paper11 x 19 inches (sight),
Framed: 24 x 32 inchesSigned: Will Barnet 78 lower right
-
Louis LegrandFemme à la CollerettePastel on paper25 1/4 x 17 3/4 inches,
Framed: 29 x 25 3/8 inchesSigned upper right: Louis Legrand
-
Jasmina DanowskiThe Straggler I, 2024Vinyl on canvas35 x 31 inchesSigned: Jasmina Danowski (verso)
-
Carlos MéridaEl Nahuatl, circa 1950Gouache and ink on amate paper21 1/4 x 14 1/2 inches,
Framed: 30 1/4 x 23 1/4Signed: Carlos Merida lower right
-
Reginald MarshFifth Avenue Street Scene, c. 1938Maroger medium on board16 x 20 inches,
Framed: 21 1/2 x 25 1/2 inches
-
Don TottenDissection, 1950sOil on Masonite23 x 22 3/8 inches
Framed: 25 x 24 inchesSigned: Estate stamp (verso)
-
Francis Luis MoraGeorge Washington Hand Studies7 1/2 x 4 1/2 inches (each)
Framed: 14 1/2 x 20 1/4Signed: F.Louis Mora lower right
Marked: Study for Hand in portrait of George Washington (lower left)
-
Jay RosenblumUntitled #46Acrylic on canvas6 x 5 inches,
Framed: 7 x 6 inchesSigned: Jay Rosenblum (verso), Marked: ASG JR46 (verso)
-
Augustin CarreraGirl Gathering Flowers, 1910Oil on canvas28 x 16 5/8 inches
Framed: 37 1/4 x 25 3/4 inchesSigned: A Carrera / 10 lower center
-
Jasmina DanowskiLife's Rich Pageant, 2023Vinyl on canvas35 x 31 inchesSigned: Jasmina Danowski (verso)
-
Adja YunkersThe Second Dream of the Infanta Isabel, 1969Acrylic and collage on canvas63 x 47 1/2 inches,
Framed: 64 1/8 x 48 3/4 inchesSigned: Adja Yunkers (verso) and AY (verso), Marked: “The Second Dream / of the Infanta Isabel” / Acrylic - Collage / 1969 / 63 1/2 x 48” (verso)
-
Albert StadlerMoving On, 1964Acrylic on canvas26 x 83 1/2 inches
Framed: 28 3/4 x 86 1/4 inchesSigned: A Stadler 1964 (verso) and Al Stadler (verso on stretcher)
Marked: Moving On (verso)
-
Carl HoltySaint Martin and the Beggar, 1951Colored pencil on paper mounted on artist board10 3/4 x 8 1/4 inches Mount: 20 x 15 inchesSigned: Carl Holty - 51 lower right, Marked: St. Martin and the Beggar” Series III 8 / 40.00 / 366 (verso)
-
Carl HoltyFigure Composition #1, c. 1930’sGouache on paper11 1/2 x 17 1/4 inches,
Framed: 21 1/4 x 27 inchesSigned: Holty Estate signature stamp lower right
-
Carl HoltyCollage #389, 1958Gouache collage on paper13 1/2 x 9 inches Framed: 19 1/2 x 16 1/2 inchesSigned: Carl Holty - 58 lower left
-
Horia DamianUntitled, 1961Acrylic & resin on canvas71 x 55 inches,
Framed : 73 1/4 x 57 1/4 inchesSigned: Damian 61. lower right
-
Richard AnuszkiewiczUntitled II, 1968Acrylic on panel16 3/4 x 16 3/4 inches
Metal framed: 17 1/4 x 17 1/4 inches
Wood frame: 24 x 24 inchesSigned: Richard Anuszkiewicz / 1968 (verso)
Inscribed: To Matt (verso)
-
Jasmina DanowskiPause II, 2023Vinyl, Ink, on paper30 x 22 inches
Framed: 33 3/4 x 26 1/2Signed: Jasmina Danowski (verso)
-
Carl HoltyGray, White, 1971Oil on canvas76 x 63 inches'
Framed: 78 1/2 x 65 1/2 inches
-
Naohiko InukaiLight Green Square No. 6, 1966Acrylic on canvas40 1/8 x 40 1/8 inches
Framed: 42 1/2 x 42 1/2 inchesSigned: N. Inukai 1966 No 6 (verso on stretcher)
-
Gustave SingierPortrait Flamand, 1963Oil on canvas39 1/2 x 32 inches
Framed: 46 3/4 x 39 1/4 inchesSigned: G Singer 63 lower right and G. Singier, 63, Portrait Flamand (verso)
Page
8
of 21