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Painting

Untitled Grid
Untitled Grid
Untitled Grid
Untitled Grid
Untitled Grid
Untitled Grid
Untitled Grid
Untitled Grid
Untitled Grid
Untitled Grid
Untitled Grid, circa 1965
Takeshi Kawashima
Acrylic on canvas
36 x 36 inches
Framed: 43 x 43 inches
Signed: Kawashima (verso on over flap and again on verso)
Takeshi Kawashima, Untitled Grid, circa 1965
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$ 26,000.00
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658 
of 764
artist Description provenance

artist

Born in Takamatsu City, Japan in 1930, painter, sculptor and printmaker Takeshi Kawashima studied at Musashino Art School in Tokyo where he graduated in 1955. Kawashima received a teaching position at Yoyogi Art School, Tokyo, where he remained until 1958. He mounted his first solo show at Muramatsu Gallery, Tokyo where he subsequently held a solo-exhibitions annually from 1958 to 1961.

Kawashima exhibited with the Yomiuri Independents in Tokyo through 1963, the same year he received a commission to execute a mural for Agricultural Hall which was his first large-scale work in a public space. Building on his success in New York in the 1960s, Kawashima mounted a number of solo exhibitions including at the well know Waddell Gallery, where he exhibited in 1967 and 1969. Kawashima’s significance was solidified by his inclusion in the landmark 1965-66 "New Japanese Painting and Sculpture" at the Museum of Modern Art in New York, from which the museum purchased one of his paintings for its permanent collection. Untitled 1964 was again exhibited at MoMA in their "1960s Selection from Museum Collection" exhibition in 1967.

In the 1980s, Kawashima turned to sculpture as a medium mounting several exhibitions in New York and Japan. Returning to Japan in 2016, Kawashima created the Takeshi Kawashima Art Factory in his hometown, where he still produces and houses his artworks.

Description

Symbols play a crucial role in communicating meaning and evoking emotions in visual art. In Kawashima's paintings, symbols serve as a language that transcends verbal communication and directly connects with the viewer on an emotional and intellectual level. One prominent aspect of Kawashima's work is his use of universal symbols that resonate with diverse audiences. By employing archetypal symbols, evocative of animals, plants, celestial bodies, or geometric shapes, he taps into the collective unconscious, triggering deep-rooted associations and emotions within viewers. These symbols act as visual metaphors, inviting contemplation and reflection. Each symbol contributes to the overall composition, adding depth and complexity to the artwork. Through juxtaposition and arrangement, Kawashima creates visual dialogues and establishes symbolic relationships, allowing for multiple interpretations and enriching the viewer's experience.

provenance

Connecticut Fine Arts, Westport, Connecticut, 1978 - 2023
Hindman Auction April 2023

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