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The Empress Theodora at the Coliseum
The Empress Theodora at the Coliseum
The Empress Theodora at the Coliseum
The Empress Theodora at the Coliseum
The Empress Theodora at the Coliseum
The Empress Theodora at the Coliseum
The Empress Theodora at the Coliseum
The Empress Theodora at the Coliseum
The Empress Theodora at the Coliseum
The Empress Theodora at the Coliseum, Circa 1881 85
Jean-Joseph Benjamin Constant
Oil on canvas
55 x 37 inches,
Framed: 61 1/2 x 43 inches
Signed: Benj.Constant lower left
Jean-Joseph Benjamin Constant, The Empress Theodora at the Coliseum, Circa 1881 85
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$ 48,000.00
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28 
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artist provenance

artist

Benjamin Constant spent his youth as a student at the École des Beaux-Art de Toulouse, where he won a municipal prize that allowed him to enter the École des Beaux-Arts de Paris in 1866. The following year Constant entered the studio of Alexandre Cabanel. His first appearance at the Salon de Paris was in 1869. With the declaration of war in 1870, he enlisted. After the war, instead of returning to the Academy, he began to travel, starting out in Spain. He then followed his mentor Charles Tissot to Morocco. From this point on, he abandoned history painting for Orientalist subjects. At the Salon of 1875, he received a third place medal for his painting, Moroccan Prisoners, and in the following year, a second place medal for his entry of Mohamett II in Constantinople. In 1876, he also produced a portrait of Emmanuel Arago, and then married one of his daughters. At the Exposition Universelle of 1878 he obtained a third place medal and later that year was decorated with the medal of the Legion d'Honneur. By 1880, he moved from the Orientalist subjects for portraiture and more decorative works. He was given commission to paint the ceiling at the Hotel de Ville in Paris with a composition depicting Paris Conquering the World. He also received commissions to paint allegorical figures of les belles letters et les sciences for the Sorbonne, and the ceiling of the Opera-Comique. Later, he painted the portraits of Queen Victoria and Queen Alexandra. For much of the latter part of the 19th century, he was the favorite portraitist of English high-society.

provenance

Christies

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