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Relief Construction #5
Relief Construction #5
Relief Construction #5
Relief Construction #5
Relief Construction #5
Relief Construction #5
Relief Construction #5
Relief Construction #5
Relief Construction #5
Relief Construction #5, 1965-75
Jerry Tsukio Okimoto
Aquatec on canvas
44 x 44 inches,
Framed: 44 5/8 x 44 5/8 inches
Signed: OKIMOTO verso
Jerry Tsukio Okimoto, Relief Construction #5, 1965-75
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$ 11,000.00
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341 
of 1068
artist Description provenance exhibitions

artist

.

Okimoto worked as a graphic designer for a clothing manufacturer in Hawaii before becoming part of the Metcalf Chateau, also known as The Group of Seven – a group of Asian-American artists with ties to Honolulu. The name is derived from a house slated for demolition on Metcalf Street in Honolulu, in which they exhibited in 1954. The members were Saturo Abe (born 1926), Bumpei Akaji (1921-2002), Edmund Chung, Tetsuo Ochikubo (1923-1975), Jerry T. Okimoto (1924-1998), James Park, and Tadashi Sato (1923-2005). After their first show in 1954, the exhibit was moved to what is now the Honolulu Museum of Art.

These artists were held to a difficult standard within broader Abstract Expressionist circles. Even though the New York School of Action Painting drew on Asian brush techniques, Metcalf Chateau were often either accused of copying Western styles or expected to infuse their works with Asian tropes.

Description

In geometric abstractions from the 1970's and early 80's, Mr. Okimoto creates illusionistic structures out of planar surfaces rendered in flat colors. But the visual effect is of volume and mass, as if solid elements had been translated into two-dimensional form. This is an optical illusion caused by the subtle arrangement and placement of elements. The Shaped Canvas movement must have caught Okimoto’s attention – in January of 1965, Frank Stella, Henry Geldzahler, and Barbara Rose organized the exhibition Shape and Structure at Tibor de Nagy Gallery, which included shaped canvases by Stella and Williams, as well as Charles Hinman, Will Insley, and Larry Bell alongside three-deimensional works by Donald Judd, Robert Morris, Carl Andre, and Robert Murray. Okimoto was in NYC at this time and took the Shaped Canvas to the next level by allowing the canvases to have the ability to move around. No one at the time had experimented with this groundbreaking modification.

provenance

Krasner Gallery, New York (label verso)
Prominent Corporate Collection until 2024
Doyle, New York, 2024

exhibitions

Krasner Gallery, 1061 Madison Avenue, New York

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