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Alfredo PinaWagner, circa 1920Bronze with dark brown and black patinaWith base: 29 1/2" x 11 1/2"
Bronze: 18 1/2" x 11 1/2"
Base: 10 1/2" x 8" x 9"Signed: A Pina and dated 1920
Marked: CIre A. Valsuani foundry mark left edge of collar
Marked with foundry seal: Cire Perdue
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Alfredo PinaBeethoven, circa 1914-18BronzeWith base: 31" x 12 1/2" x 13"Signed: A Pina at right edge
Marked: Cire Perdue A.G. Paris foundry mark with 28 back center
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Alfredo PinaYoung Boy, 1911Bronze with riche green and black patinaWith base: 23" x 13 1/2" x 7"
Bronze: 17 1/2" x 13 1/2" x 7
Base: 5 1/2" x 5 1/2" x 3 1/2"Signed: A Pina Paris 1911 lower right
Marked: Valsuani Cire Perdue foundry stamp
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Alfredo PinaMan Kneeling, 1910Bronze with black patina with light brown11 1/2 x 8 x 10 1/2 inchesSigned: A Pina
Foundry stamp on rear: Cire Perdue, A.G Paris
Indistinct number 13 or 3
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Alfredo PinaPaganini,Bronze with black patinaWith base: 31" x 10 1/2" x 10"
Bronze: 19 1/2" x 10 1/2" x 10"
Base: 12"x 9 1/2" x 9"Signed: A Pina his right collar side
Valsuani foundry mark near signature and noted cire perdue
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Alfredo PinaYoung LadyBronze with black patina and light brown underneathWith base: 20 1/4" x 7 1/2" x 8 1/2"
Bronze: 10 1/2" x 7 1/2" x 8 1/2"
Base: 10 1/4" x 7" x 5 1/2"[Signed: A Pina on neck
Foundry mark, rear neck, indecipherable
Overview
Trained at the Brera Academy, Pina quickly stood out for his skill and classical grounding. Early in his career he moved to Paris, then the center of the art world, and became part of the lively sculptural community around Auguste Rodin and Antoine Bourdelle. Their influence can be felt in his work: expressive, muscular modeling and emotional presence, but always balanced by a strong sense of form and discipline. Pina showed regularly at the major Paris salons and worked closely with respected foundries to cast his bronzes, which range from portrait busts to dynamic figurative compositions. His sculptures have a thoughtful intensity—rooted in academic tradition yet responsive to modern ideas—and he remains appreciated for blending Italian training with the creative energy of early-20th-century Paris.Museums and Public Collections
La Charité-sur-Loire
Montpelier
Musee Fabre
Museum of Venice