Skip to main content
Filter artworksArtworks
Close

Select a category:

  • Painting
  • Sculpture
  • Photography
  • Works on paper
Filter by keyword
Width range
- inches
Height range
- inches
Filters

Date

Edition

Medium

Nationality

Style

Price range
$
-
$
19th, 20th, 21st Century Art
Taylor Graham
American and European Art
Search submit
Wishlist
0

Enquiry list

This artwork has been saved in your enquiry list. You can either review your list and make an enquiry, or continue to browse and find other artworks.
View enquiry list
Continue browsing
Menu
  • Menu
  • Home
  • About
  • Paintings
  • Sculpture
  • Photography
  • Artists
  • Exhibitions
  • Notable sales
  • Transport
  • Corporate art
  • Contact

Paintings

Untitled #60
Untitled #60
Untitled #60
Untitled #60, c. 1969
Jay Rosenblum
Acrylic on canvas
2 1/2 x 5 inches
Add to enquiry list
Remove from wishlist
Share
  • Facebook
  • Twitter
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
76 
of 538
artist

artist

Jay Rosenblum experimented with different versions of the "Visual Stripe motif" for more than thirty years. In the 1960's he developed a "hard-edge" style with "flat curtain forms" which had a clearly defined vertical emphasis. These colors as in our example move up and down the picture plane. Space is defined by shifts in color passages. As the artist explained in his own words:

 

"The vertical forms in my work serve as the vehicle for color and also become a dramatic means of achieving movement and deep space. This becomes possible through a great variation in the stripe thickness and the sudden emergence or disappearance of a particular band of color when it overlaps another."

Rosenblum was an ardent violinist who played for the Seventh Army Symphony in West Germany and who was also an art teacher at the School of Visual Arts. In his art Rosenblum sought to associate his great love for chamber music sonatas with his freely evolving vertical stripes of color. Rosenblum once stated:

 

"When these elements engage themselves in the painting, there is a great visual excitement for me. A kinship with music, in a polyphonic sense, is very strong in that simultaneously one hears lines of "overlapping" music. In some mysterious way the composer can achieve this and it is equally mysterious and effective in painting when it happens."

 

In much the same way that singular notes strung together create music, individual stripes of color together can be transformed into a complete art form. He thus viewed these blocks of color almost as separate notes in a piece of music that that when brought together would be transformed into a cohesive unit, resonating with a playfulness that added interest and energy to the picture. With colors Rosenblum attempted to select ones that when juxtaposed against or near one another would become "an exciting visual discovery". He would refer to such works as "free association color development". Rosenblum executed a number of these "hard-edge" paintings which included groupings of color clusters in both vertical and diagonal motifs. 

 

Jay Rosenblum was born in New York City in 1933. He attended the Pratt Institute in Brooklyn from 1951-53, Harvard University in the summer of 1953 and Bard College in Annandale-on-Hudson, NY 1953-1955. He received a M.F.A. from Cranbrook Academy of Art in Bloomfield Hills, MI. His paintings have appeared in numerous selected solo and group exhibitions in the USA and Italy. Rosenblum was awarded the Carlos Lopez Memorial Prize in painting from the Detroit Institute of Art in Detroit, Michigan in 1955 and the Painter of the Year Award from Larry Aldrich, Ridgefield, CT in 1970. He lived and worked in Manhattan for most of his life and sadly died in a tragic bicycle accident in 1989.

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences

New York

5 East 82nd Street

New York, NY 10028

 

203.216.3088

646.422.7884

 

Monday - Friday

9am - 5pm

And by Appointment

GREENWICH

80 Greenwich Avenue

Greenwich, CT 06830

 

203.216.3088

203.489.3163

 

Tuesday – Saturday

10am – 5pm

PORT CHESTER

168 Irving Avenue

Suite 301B

Port Chester, NY 10573

 

914.937.2070

 

By Appointment

Send an email
Instagram, opens in a new tab.
Artsy, opens in a new tab.
Copyright © 2023 Taylor Graham
Site by Artlogic
Cookie policy

NEW YORK

5 East 82nd Street, New York, NY 10028 203.216.3088 - 646.422.7884 info@taylorandgraham.com
Monday - Friday, 9am - 5pm and by Appointment

PORT CHESTER

168 Irving Avenue, Suite 301B Port Chester, NY 10573 914.937.2070
By Appointment

GREENWICH

80 Greenwich Avenue Greenwich, CT 06830 203.489.3136 – 203.216.3088 info@taylorandgraham.com
Tuesday - Saturday 10am - 5pm