artist
Simkhovitch was born near the city of Kiev, Russia. When he was 7, he spent a year in bed with a severe case of measles. To amuse himself he used to sketch an old mill outside his window, and thus decided to become an artist. He studied at an art school in Odessa and was recommended to attend the Imperial Academy of St. Petersburg (a singular honor in Russia at the time) before the war and revolution. Swept up into the army before he could attend, his work was hung in the Museum of Revolution in Leningrad. He resumed his studies in 1914 and graduated four years later. He was sent to the United States in 1924 to do illustrations for Soviet textbooks. He quickly applied for and gained U.S. citizenship.
Simkhovitch integrated with the art world immediately and galleries such as Midtown Galleries and Marie Sterner took him on as part of their stable of artists. He also was employed by the WPA and executed major mural commissions throughout the country. One of his largest commissions was the Mississippi Court House. Life magazine profiled him twice with full-length features on his life here in this country as an artist. When he died at an early age, the Whitney Museum of Art in New York offered to do a retrospective and the widow denied the possibility and simply put his works away in storage.
Considered a master draftsman and an adherent of certain classicism, Simkhovitch’s compositions are often built up in a complicated but well-managed counterpoint. But at heart, he is a romanticist preferring the dreamy colors of a Russian fairy tale.
Description
Born in Petrograd, Russia and trained at Imperial the Academy of St. Petersburg, Simkhovitch immigrated to the United States at the age of 31. Though he was a highly regarded painter and teacher in Russia, his first occupation as an American citizen was working as an illustrator for the Hollywood film writer Ernest Pascal. Here in Russian Soldiers, a pair of supine soldiers who's figures are nearly indistinguishable from the bank of snow in which they crouch, we can see the techniques of his formal training without "delving into the folky genre which America seems to feel is the answer to Grant Wood" as his described his assimilation to the American scene.
provenance
Estate of the artist